Through admiration and empathy for the pioneers of the Chaco Boreal, this film was produced by Otto Klassen as result of personal experience in South America. Klassen’s filming took place in Paraguay, followed by compilation and editing in Canada.
Part one looks at the Chaco’s seclusion and refuge for Mennonites, and the process of seeking suitability of the region, immigration recommendation, and forging paths that lead others without homes.
Part two looks at the heirs of the first generation’s success, as they navigate through ways of working as pioneers such as experimentation with soil and climate. This includes information on the cattle business and the competition between young men and cowboys.
The Pacifist Who Went to War: (2006) (52 min.)
Directed by David Neufeld.
Film Review by Lisa Van de Ven, a writer in Toronto. November 2010
Church or nation? That’s the question at the heart of the documentary The Pacifist Who Went to War, portraying Mennonite communities in Manitoba who, seven decades ago, were forced to choose. Either fight in the Second World War, as their government asked them to, or stand up for their religious beliefs, calling for peace and non-violence. Director David Neufeld focuses on two brothers, John and Ted Friesen, both eligible for combat. John enlisted, feeling a responsibility to defend his country, while Ted became a conscientious objector on religious grounds. “Our traditional view was always that war was completely incompatible with our belief,” Ted tells the camera. But while the brothers are at the centre of the story, the film pans out, tracing the history of Mennonites who first came to Canada with the promise of military exemption. That exemption was lifted at the start of the Second World War, and many of them — like Ted — became conscientious objectors, forced to work on home soil for the duration of the war to build roads and work in hospitals and mines. Of the 10,000 conscientious objectors in Canada, 7,000 were Mennonites. The film lingers on the fight they encountered by upholding their religious beliefs. They weren’t alone in their struggle: the men who went to war faced stigma within the Mennonite community upon their return home. For older Mennonites, it’s a wound that has never quite healed. At the same time, the film shows that younger-generation Mennonites are no longer learning the same lessons of pacifism that so clearly made an impact years ago. Neufeld’s documentary offers a fresh take on a war that feels like it shouldn’t have any fresh takes left. The film is straightforward but the story is not, and the decisions those men made are still reverberating through their communities today.